Stopmotion

Stop motion animation is hard work. You move a puppet a centimeter, take a picture . . . and then repeat the process thousands of times.

If you’re lucky, that’s all you need to do to bring your work to life. But if you’re unlucky?

This is precisely the fun of Stopmotion. While Ella works hard at creating her own stop motion animation (which is of course driving her crazy), things outside the job begin to feel very creepily like the job itself. Almost like her project is taking over her life . . .

This is truly unsettling stuff, and all sorts of moviemaking techniques jerk us around in ways we don’t want to be moved. Hinges will squeak on your joints; putrid lighting and waxy meat will have you questioning your perception.

Are several scenes too long, making the movie feel dragged out? Yes. And is there a moral to the story? I can’t tell. But, this is a movie that shows how creation can sometimes bring agony; its sights and sounds are truly immersive, showing us thoughtful, professional moviemaking minds at work.

Whose movie is this?

Killers of the Flower Moon

Killers of the Flower Moon is the kind of movie that you can’t help but watch, even as it breaks your heart. It is a towering and overwhelming creation.

The short story is that a simpleton named Ernest moves to Osage County. This place is flat, harsh land on which only the Osage people had lived, but now that oil has been discovered, everyone and their mothers are coming to see if they can strike it rich, too.

The long story is that, with the Osage now rich, non-natives have become bitter and resentful. As we follow Ernest on his odd jobs and drunken adventures, splitting time between his influential uncle Bill and his darling Molly (an Osage), we learn a heck of a lot.

World 1. Ernest and Molly; land and love.

Then Osage begin to die. High in number but low in age. It’s suspicious, it’s terrifying—and it’s probably about money. Might Bill know something about it? Or might Ernest, straddling two worlds?

Mixed montages; rolling music; exquisite production and set design all create these worlds for us. And superb acting throws us into the thick of them.

Filled with love and loss, Killers of the Flower Moon offers drama and intrigue, yes. But also, an ode to an entire people.

World 2. Ernest and Bill. Another lesson.

L’Été dernier (Last Summer)

Last Summer some shit went down. It was indecent and frustrating and I’d rather not talk about it.

So here goes: Anne is a seemingly level-headed person who does something terrible. Though she oh so calmly succeeds at maintaining a house, two children, and a job defending young women from sexual predators, she changes tack after her underage stepson moves in. Apparently, the kid has things that her corporate-bellied husband simply cannot provide . . .

Yes, it’s gross. And yes, you can guess the plot of this movie.

Though the direction is thoughtful and the performances leave nothing to be desired, real-life talent is wasted on this story. It is an unexplained, uncomfortable, and gratuitous affair.