Please take a moment. Try and remember how it was to be rocked to sleep. How it felt when your parent sang you a lullaby, or read you a story as you dozed off.
Did you feel safe? Comfortable? Or were you not really there, moving between worlds? Max Richter’s Sleep explores all of this and more.
And that’s impressive considering Sleep is just a song. Well, a song eight hours long, whose overnight performances transform event spaces into giant public bedrooms . . . But perhaps even more affecting is that the thinkers behind this experience—and the many attendees—were willing to do this kind of thing. A stubbornly long lullaby shared with strangers while you are at your most vulnerable? It flies in the face of an always-on, self-protective culture.
And yet it’s not a new idea, Max explains. Long songs and performances have been found throughout cultures and history. The difference here, though, is the focus: This meticulously planned event means to speak to your mind precisely as it moves in and out of consciousness. It sounds trippy, but it’s a largely comforting experience, and one that calls back to the simple (and powerful) act of letting go which humankind seems to forget as it ages.
Watching the performance and hearing the music is therefore refreshingly calming. So too is its origin story beautiful.
Interviews tell us that Max and his wife Yulia often went to bed with empty stomachs; the starving artists always fed their children first. But their desire to create and connect with a broad audience kept them firmly at the low-paying fringes of society. Even if Max performed somewhere afar, Yulia would tune in at the end of a long day—and inevitably fall asleep. A thoughtful and perceptive person herself, she found that listening while dozing was an experience unlike any other. And when Max responded to this observation with a secret composition years in the making, their lightbulbs burned in unison. We need to do something with this.
The two make an adorable couple, and their dedication and creativity are on full display in this movie. So, too, are the stories of certain spectators and performance planners. We learn a bit about what drew people to this unintuitive experience. It all makes for an interesting watch, and thanks to remarkably consistent camerawork and lighting, an experience you can safely doze off to.
This is typically not the highest praise for a movie. But here, it is. It’s a testament to the respect and understanding the moviemakers have for these creators, their hard work and goals.
So take a moment. Get comfy, turn those lights down and that volume up. You’ll be glad you did.
